Put simply, we sing—for pleasure, for health, for friendship, and to bring joy to others.
More specifically, the Trust runs, supports, and funds local singing groups, helping people come together regularly to experience the many benefits of singing.
Each group is rooted in the idea of caring through singing—supporting one another and showing care for the wider community through shared activities and performances.
Canterbury Cantata Trust became a registered charity in 2015. Its roots go back to 2010, when Grenville Hancox, together with colleague Roger Clayton, established the first Skylarks—a singing group for people with Parkinson’s, based on Grenville’s research into the health benefits of singing.
In 2012, Grenville founded the Trust to champion the role of group singing in community life and to inspire younger generations to engage with their communities through meaningful, practical music-making.
We continue to uphold the founding ethos of the Trust: that everyone who wants to sing with others should be able to—regardless of experience or financial means.
The Trust is overseen by a dedicated Board of Trustees, all of whom serve on a voluntary basis. We rely on the valued support of our trustees, patrons, sponsors, friends, and donors to run our choirs and deliver events for the community.
We are especially grateful to our distinguished patrons: Matthew Rose, one of England’s most celebrated operatic bass-baritones, and Mark Padmore, the internationally renowned tenor.
The Trust’s Honorary President (and Founder) is Professor Grenville Hancox MBE, well known for his work as an educationalist, performer and conductor, together with his ground breaking research with Professor Stephen Clift on the benefits of singing for health. “Singing should be on prescription,” he says.
As a former Trustee of the Creative Foundation in Folkestone, Grenville has championed engagement in the arts as a means of social regeneration, with the firm belief that music should be at the heart of every community.
Until March 2012 he was Head of Department and Director of Music at Canterbury Christ Church University, having been made the first Professor of Music in Kent in 2000. Amongst many achievements whilst in post were the forging of a very special relationship between the University and the Master of the Queen’s Music, Sir Peter Maxwell Davies; and the founding of the Sidney De Haan Research Centre for Arts and Health in Folkestone. Grenville raised all the funds for the transformation of the iconic St Gregory’s Centre for Music.
Grenville has directed many performances including some of the most challenging works in the choral repertoire, (including Britten’s War Requiem with Ian Bostridge and Benjamin Luxon). As a clarinet player he has performed extensively throughout the UK, in Europe and the USA and appeared amongst others with the London Mozart Players, and the Sacconi and Maggini String Quartets.
He was awarded the MBE for services to Music in 2005 and presented with a Civic Award by Canterbury City Council for services to the community through music in 2006.
Originally from the Isle of Wight, Emily Renshaw-Kidd graduated from Canterbury Christ Church University as a Bachelor of Music in 2000 and gained an overall distinction as a Master of Music in 2003.
She currently combines caring for her two children with working as Director of Music at Simon Langton Grammar School for Boys, in Canterbury. Alongside her career as a teacher and professional singer, Emily also conducts a wide range of choral and orchestral ensembles. In 2021, Emily became one of the first female lay-clerks in the Canterbury Cathedral Choir. She regularly sings for choral evensong at the Cathedral.
Currently holding the post of Artistic Director of Canterbury Cantata Trust and Director of Canterbury Cantata, Emily has directed large-scale works such as Kodaly’s Missa Brevis, Mendelssohn’s Elijah, Rutter’s Requiem, piano concerti by Mozart, Elgar and Rachmaninoff and has produced and conducted several musical theatre productions.
Emily is proud to lead various community singing groups around Canterbury, focusing on music as a form of improving both physical and mental health, whilst caring for each other. Her involvement in the Skylarks Sing to Beat Parkinson’s singing group began in 2015, with a collaboration between the Skylarks and Langton Boys. From here, the relationship has grown and flourished to the point where Emily and the Langton students lead the weekly sessions.
In 2016, Emily staged and directed a 3-day festival highlighting the benefits of music on health and wellbeing. She was honoured to host such influential musicians as Trevor Pinnock CBE, Judith Weir CBE (Master of the Queen’s Music), Mark Padmore, the Sacconi String Quartet and James Rhodes.
She studied singing with Ernest Holbrook, Sheila Amit-Luxon and renowned baritone Benjamin Luxon. She continues to work closely with Professor Grenville Hancox MBE on a range of concerts and projects.
Emily regularly performs as a soloist for choral societies across the Southeast and has been involved in a series of salon concerts and the production of a CD, in the beautiful surroundings of Goodnestone Park, with the late Derek Hyde. She has sung solo roles in many of the major oratorios, including Jenkin’s Armed Man and Mozart’s Requiem in Canterbury Cathedral and Verdi’s Requiem in Brentwood Cathedral. Emily has performed as a soloist in Handel’s Messiah, directed by Sir David Willcocks CBE and Sir John Tavener’s Annunciation, in the presence of the composer. She makes regular appearances as a recitalist alongside her accompanists including Jamie Rogers and Aidan Shepherd.
Emily has given premiere performances of Paul Max Edlin’s Song of the Gypsy Siguiriya along with many of Christ Church’s budding composer’s works and has performed other modern works including Ernst Krenek’s Sestina and George Crumb’s Ancient Voices of Children. Emily has enjoyed working with wonderful instrumentalists to perform such chamber works as Schubert’s Shepherd on the Rock and Six Songs by Spohr. She was highly commended in the Hampshire Singing Competition, by Dame Janet Baker who commented, “the role of Cherubino fit her like a glove”.
Emily holds Grade 8 (distinction) in voice, piano and cello.
Wine expert for Shepherd Neame Brewery, music graduate and keen singer.
A Canterbury-based dentist and keen supporter of music.
Director of Neuroscience business and supporter of caring through singing.
In my working life I am a Senior Lecturer in Music Education at Canterbury Christ Church University, but much of my work revolves around a simple question: what is it about music that enables it to connect people, shape identities, support wellbeing and create such powerful shared experiences? That question has taken me from classrooms and rehearsal spaces across the country to music schools and family homes in North India, where I spent several years researching how young musicians learn to improvise within an oral singing tradition. Along the way, I have become fascinated by the ways music helps us to listen, remember, belong and connect with one another.
What drew me to CCT was its belief that singing can be a medium for care, connection and positive change. I particularly admire the way the Trust has developed a range of programmes that respond to the needs of different communities, recognising that meaningful musical experiences are not created through a one size fits all approach. When I attended CCT’s performance of Bach’s St Matthew Passion in March 2026, I was blown away by both the quality of the music making and the warmth of the community that surrounded it. It felt like an organisation where artistic excellence and genuine care for people sit side by side.
Outside of work, music remains a huge part of my life. I play both violin and viola and have recently performed with ensembles including Maidstone and Medway Symphony Orchestra, Lambeth Orchestra, Bradstow Music and the University of Kent Symphony Orchestra and String Sinfonia. When I’m not making music, you’ll often find me running or strength training. Having completed the York Marathon in 2025, I am now training for the London Marathon 2027, where I hope to raise funds for the Evie Dove Foundation. If you happen to meet me at a quiz night in Canterbury, there’s a good chance I’ll be campaigning for more classical music questions, or perhaps just quietly moaning when there aren’t any!
I previously served as a trustee for Orchestras for All, which has become a National Portfolio Organisation for the Arts Council. They are a charity committed to widening access to high quality music making for young people, and I am excited to bring that experience to CCT. I was also incredibly grateful for the warm welcome I received from Roshna and my fellow trustees at my first board meeting in June. I look forward to meeting many of you over the coming months and supporting the Trust’s wonderful mission of “Caring through singing”.
Matthew is a former student at Canterbury Christ Church University and member of Cantata choir. He has appeared at the Edinburgh Festival, BBC Proms and his 2015/2016 season includes performances with the Royal Opera House, English National Opera and Glyndebourne Festival.
“It is so wonderful to see the Canterbury Cantata Trust choirs going from strength to strength. I cut my teeth as a young student, rehearsing on Monday nights with Grenville Hancox and performing around Kent and the South-East. Grenville believes, as I do, that music – and especially singing – can do wonders for the human condition in many different ways.”
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